Ubiquitous Presence: Selected Works by Barbara Bullock
Ubiquitous Presence: Selected Works by Barbara Bullock
September 15 – October 30, 2022
Gallery reception: Thursday, September 15 Artist's talk: 4:30 – 5:00 PM Reception continues: 5:00 – 6:30 PM
Curated by Andrea Packard
The List Gallery is pleased to present Ubiquitous Presence, featuring recent wall-mounted cut-paper installations and portraits by Barbara Bullock. A gallery reception in honor of the artist will take place on Thursday, September 15, 4:30-6:30 PM. The artist will give a short gallery talk and answer questions at 4:30 p.m. An exhibition catalog will be distributed at a closing reception on Sunday, October 30, 2:00 – 4:00 PM. List Gallery hours are Tuesdays through Sundays, Noon – 5:00 PM. All events are free and open to the public.
Born in 1938 and raised in Philadelphia, Bullock is one of the Mid-Atlantic region's most notable and widely-respected artists. She has spent nearly sixty years challenging European artistic and cultural conventions; offering new ways of approaching form, color, and process; and investigating complex ideas related to gender, belief systems, dreams, and other aspects of identity. Shifting between abstract and figurative modes, Bullock centers and honors diverse Black cultures. She also prioritizes the cultivation of relationships – both ancestral and contemporary – in every aspect of her life and practice.
For Ubiquitous Presence, the entire front room of the List Gallery has been painted the same deep gold as Bullock's studio walls—a color that animates her paper assemblages and transforms the "white cube" of the contemporary art gallery into a vibrant, unconventional, and evocative space. Ubiquitous Presence Selected Works by Barbara Bullock September 15 – October 30, 2022 Gallery reception: Thurs., September 15 Artist's talk: 4:30 – 5:00 PM Reception continues: 5:00 – 6:30 PM Gallery hours: Tues. – Sun., 12:00 –5:00 PM Contact Andrea Packard: firstname.lastname@example.org Gallery phone: 610.328.7811 Curated by Andrea Packard At left: Trayvon Martin, Most Precious Blood, 2013 – 2014, acrylic paint and matte medium on watercolor paper, 62 x 41 x 14 inches. Courtesy of Woodmere Art Museum: Museum Purchase, 2014 Bullock's process often begins with painting 300-pound watercolor paper with numerous layers of acrylic paint, shaping the paper with scissors, and creating both abstracted shapes and recognizable imagery, such as faces, hands, and birds, and snakes. Arranging forms on the wall with push pins and clips, she experiments with the varied vocabulary of form until her works communicate a compelling sense of spirit and presence. Voluptuous sculptural forms and delicate tendrils extend from the main body of each piece, activating the surrounding space and calling attention to transformative processes in nature, culture, and identity. In fact, Bullock titled two recent works on display Transformation.
Because Bullock's vocabulary of forms and unframed works are flexible and can be easily reconfigured, she often alters or reorients them slightly when installing them at different venues, and she sometimes removes or combines component parts in ways that radically transform signature works. For example, in the List Gallery, Bullock combined two signature works —Bitches Brew (2014) and Swallowing Bitter Pills, Chewing Dry Bones, (2012)—into a single configuration.
Such works reflect the artist’s travels throughout the African continent during the mid 1980’s and early 1990s, her lifelong study of art and culture related to the African diaspora, and her ongoing meditations on both personal and collective belief systems. Bullock has stated that she created some works, such as House Transitioning to Ancestor, Chasing After Spirits Series, (2013) as a way of reflecting upon devastating events, such as Hurricane Katrina, which disproportionately affect African American communities.
An entire wall panel in the rear gallery is painted black and devoted to a key work in the exhibition: Trayvon Martin: Most Precious Blood (2013-2014, shown above). The adjacent walls are painted grey and feature selected portraits from a series Bullock began in 2020 in response to notorious examples of social injustice and the ravages of the Covid-19 pandemic. Rather than working from direct observation or searching for verisimilitude, Bullock abstracts features drawn from varied sources, including sketches, personal memories, photographs, historical research, and contemporary events. For example, the artist notes that she began one of her portraits working intuitively, but soon found herself thinking about George Floyd, who was murdered by a police offer in Minneapolis in 2020. Although Floyd's likeness and the events surrounding his death informed her creative process, the resulting work ultimately became archetypal in character. Surrounding the viewer with such poignant images, Bullock emphasizes the importance of both creativity and interconnection.
Bullock's work has been exhibited and collected by galleries and museums throughout the United States, including The Woodmere Art Museum, The Pennsylvania Academy of the Fine Arts, and The African American Museum in Philadelphia, Pennsylvania; The Noyes Museum in New Jersey; and the Minneapolis Institute of Art in Minnesota. In 2016, La Salle University Art Museum organized the exhibition, Barbara Bullock: Chasing After Spirits, and published an eponymous 155-page exhibition catalog. Bullock's most notable accolades include a Pew Fellowship in the Arts, a Mid-Atlantic Arts Foundation Visual Arts Residency Grant, the Bessie Berman Grant awarded by the Leeway Foundation, and two Distinguished Teaching Artist awards from the New Jersey State Council on the Arts. She has won and executed numerous public commissions, including for the Philadelphia International Airport, the Robert Wood Johnson Foundation, SEPTA, and the Village of the Arts and Humanities, Philadelphia. As an educator, advisor, and artist, Bullock has led countless classes at museums, schools, prisons, and non-profits, such as Arts Horizon.
Ubiquitous Presence: Selected Works by Barbara Bullock was curated by List Gallery Director Andrea Packard. The exhibition was made possible by the Kaori Kitao Endowment for the List Gallery. Additional support was provided by the programs of Art History and Art, Swarthmore College.
This exhibition is made possible by the Kaori Kitao Endowment for the List Gallery.