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Patricia Reilly

Associate Professor of Art History, Chair of Art History

Coordinator of Interpretation Theory

Contact

  1. Email:preilly1@swarthmore.edu
  2. Phone: (610) 690-3730
  3. Beardsley 205
  4. Office Hours: Tuesdays: 4-5:30pm, and by appointment.  Students can schedule appointments through WASE.
Patricia Reilly

To learn more about Professor Reilly, please click here for an in-depth interview. 

Education

Ph.D., Rhetoric, University of California, Berkeley
M.A., History of Art, Bryn Mawr College
B.A., History of Art, University of California, Santa Cruz

Areas of Specialization

Italian Renaissance Art & Art Theory
The Paintings and Lives of Giorgio Vasari
The Drawings of Leonardo da Vinci
Art Education and Academies

Courses

ARTH 001E  First Year Seminar: Michelangelo and Renaissance Culture
ARTH 001M  First Year Seminar: Leonardo: Art, Science and Engineering
ARTH 001K  First Year Seminar: Rembrandt and the Dutch Golden Age
ARTH 002  The Western Tradition
ARTH 013  The Art and Architecture of Ancient Greece and Rome
ARTH 016  Italian Renaissance Art
ARTH 020  Major Workshop
ARTH 026  Colloquium: Art Chemistry and Conservation
ARTH 038  Women and Art
ARTH 040 Michelangelo to Mussolini
ARTH 051  The Art of Renaissance Florence and Environs
ARTH 052  Global Renaissance
ARTH 057  Leonardo, Raphael, Michelangelo
ARTH 095 Cracking Visual Codes
ARTH 151  Seminar: Visual Culture of Renaissance Rome 

Please view full course details in the online College Bulletin Course Catalog here.

Selected Publications and Works in Progress

Giorgio Vasari and the Spectacular Art of Mannerism [book ms. in final stages]
      
“Raphael’s Sala dei Chiaroscuri as Triumphal Facade,” in Kim Butler Wingfield 
and Tracy Cosgriff, eds., Revisiting Raphael's Vatican Stanze (Harvey Miller/Brepols),forthcoming, January 2020
 
"Triumphal Chiaroscuro Painting During the Reign of Julius II," in Pascale Rihouet, ed., Eternal Ephemera: The Papal Possesso in Rome and its multi-faceted legacy, under consideration with Center for Reformation and Renaissance Studies, University of Toronto

"Artists' Training," Cambridge Companion to the Italian Renaissance, ed. Michael Wyatt, Cambridge University Press, 2014, 82-97

“Raphael’s Fire in the Borgo and the Italian Pictorial Vernacular,” The Art Bulletin, December 2010, 308-25

Co-Editor, with Roberta Olson and Rupert Shepherd, The Biography of the Object in late Medieval and Renaissance Italy, Blackwell Publishing, 2006
 
“Drawing the Line: Benvenuto Cellini's On the Principles and Method of Learning the Art of Drawing and the Question of Amateur Drawing Education," in Benvenuto Cellini, eds. Margaret A. Gallucci and Paolo L. Rossi, Cambridge University Press, 2004

"The Taming of the Blue: Writing Out Color in Italian Renaissance Theory," in The Expanding Discourse:  Feminism and Art History, Norma Broude and Mary D. Garrard, eds., HarperCollins, 1992, 86–99

 

FURTHER EXPLORE WORKS BY PATRICIA REILLY HERE.