Search the Bulletin

Re-branding the Right

By Tom Krattenmaker

Re-branding the Right The name and the story evoke a stirring chapter from the country's past. Good, patriotic Americans become fed up with a distant, out-of-touch, over-reaching tyrannical government. From a wellspring of discontent arises something wholly new and spontaneous, a broad-based popular uprising determined to throw the rascals out of power, like so much tea into Boston Harbor.

This portrayal of today’s Tea Party and its genesis has proven irresistible to the media and popular understanding—as well as one of the nation’s two predominant political parties, which in the run-up to the 2012 national elections seems ever more in the Tea Party’s sway.

One problem: The story is largely false.

Leave it to Robert Putnam ’63 to spoil the party. In view of Putnam’s career—his unique penchant for cutting through political fog and academic inscrutability to describe America—it hardly seems a surprise that this high-profile Harvard professor and best-selling author would play a major role in debunking the Tea Party myth, and, in so doing, contribute to a deeper public understanding of what’s happening in the body politic approaching the next big election.


Homage to the Past — Invitation to the Present

By Carol Brévart-Demm

Homage to the Past — Invitation to the Present Craig Williamson compares the act of translation to a kind of dance with a partner from a different world. Each partner’s rhythms and expectations are different, yet they share a sense of rhythm. Both possess a brain and legs, enabling them to process music, rhythm, and movement. And each dances a different dance, driven by common mental and physical impulses—a shared movement back and forth across a bridge between their worlds.

In August, Williamson published an acclaimed new translation of a work from a very different world—the Anglo-Saxon classic Beowulf and Other Old English Poems, released by the University of Pennsylvania Press.


Fashion’s Darling

By Elizabeth Redden ’05

Fashion’s Darling A fashion show is a fast thing, experienced in impresssions. A tight black dress of perforated leather. Long, light, white jackets, silky and sheer or sleeveless. A puckered white belted dress with a black plastic buckle and black leather panels padding the shoulders. A pop of color: A tropical bird print, parrots and parakeets. Chunky canary and moss knits. A brief excursion into cream and rust red, quilted motorcycle jackets and skirts with racing stripes. Black and white again for the finish—hard leathery looks comingling with soft ones, a white dress with a flouncing hem. When the designer, Joseph Altuzarra ’05, comes out for his customary wave, he, too, wears black and white, and jeans.

Altuzarra describes his spring 2012 collection as sport and utility wear melded with a kitschy, tropical vibe. At the show, held at the Chelsea Art Gallery during New York Fashion Week, models with thickly painted eyebrows walk against a backdrop of greenery to a pulsing techno beat. “I wanted to create this weird tension between something that’s hyper-urban and something that’s almost exaggeratedly natural,” Altuzarra says.


What is Africa to Me?

By Clinton Etheridge Jr. ’69

What is Africa to Me? In Summer 1971, my girlfriend Deidria Martin visited me in Gambia, West Africa, where I was teaching math as a Peace Corps volunteer. Because of our relatively light brown skin, Gambians thought Deidria and I looked like members of the Fulani tribe and affectionately gave us Fulani names. I was Lamin Jallow and she was Cumba Jallow.

After Deidria and I married in 1974 and started a family, we often talked about going back to Gambia with our children—but Deidria ran out of time. She died of a stroke in August 2008 at age 59.

About a year later, I proposed to my three adult children—Neil, Clinton III (or “CAE”), and Lauren—that we travel to Africa as a family in summer 2011, taking my 4-year-old granddaughter Brianna with us.

Books + Arts

Physical Grace, Rare Deeds, Creative Genius

Physical Grace, Rare Deeds, Creative Genius To reflect upon a work about untold tennis stories, I had only to turn to the weathered photographs on the cinder-block walls of my tennis office at Swarthmore, and there he is: All-American Stephen “Tigs” Tignor, on the Ed Faulkner Courts, May 1990, leading his team to an NCAA National Team Championship in Division III.
With long hair flowing, well-worn blue baseball cap turned irreverently backwards, tossing arm gracefully and perfectly extended, he stands, racket poised to strike his biting lefty serve.
In My Life

It Was in Another Lifetime

By Gregg Davis ’80

It Was in Another Lifetime It’s been a long time since I sat with some of you waiting to receive our diplomas in the Scott Amphitheater—a lifetime ago, you might say.
Parts of that day are clear as I look back: the ping-pong balls we handed to President Dorie Friend, the raucous trumpets when Peter Schickele ’57 received his honorary degree and sang his address. Other things fade, but never the lessons of thought, consideration, and value that I honed through so many experiences shared with so many of you. Shared too with some who are no longer with us—Judy, Fred, Drew, and too many others. You are sorely missed.

So here I am three decades later in a role I couldn’t have imagined during those days we shared so long ago. Somehow, being in Afghanistan in 2011 makes Swarthmore sense in a James Michener kind of way, although it’s perhaps far stranger for some of you to see that I am here in uniform.