James Magruder’s translations and adaptations for the stage include Marivaux’s The Triumph of Love (Center Stage, Classic Stage Company, La Jolla Playhouse), the book for its musical version, Triumph of Love (Broadway and beyond, Germany, and Japan), Labiche’s Eating Crow (Dallas Main Street Theatre), Lesage’s Turcaret (Catalyst Theatre, Washington D.C.), Dancourt’s Knight Errant, Molière’s The Imaginary Invalid (Yale Repertory Theatre, People’s Light & Theatre), Bougie Man, a version of Le Bourgeois Gentilhomme for South Coast Rep, The Miser (Center Stage, Northlight Theatre), Gozzi’s The Love of Three Oranges (La Jolla Playhouse), Christmas Carol 1941 (Arena Stage), and Der Bourgeois Bigwig, a reconstruction of the Molière/Hofmannsthal/Strauss musical comedy for Princeton University. His plays Penelope & the Sterile Field, Too Much of Me, Nine Rooms Worth, Dead Parents, Pissing Match, and Dunkler-Related Disorders have been staged in Baltimore, Atlanta, and New York, and published in The Art of the One-Act, Third Coast, and Arts & Letters. His Three French Comedies (Yale University Press) was named an “Outstanding Literary Translation” by the American Literary Translators Association (ALTA). Current projects include a new version of Giraudoux’s The Madwoman of Chaillot for American Conservatory Theatre in San Francisco.
He has worked as a dramaturg at Yale Repertory Theatre, La Jolla Playhouse, Baltimore Center Stage, Alabama Shakespeare Festival, Berkshire Theatre Festival, South Coast Repertory Theatre, The Stratford Festival in Canada, and on Broadway.
His short fiction has appeared in The Gettysburg Review, New England Review, Subtropics, Bloom, The Normal School, the anthologies Boy Crazy and New Stories from the Midwest, and elsewhere. His début novel, Sugarless, (University of Wisconsin Press) was a finalist for a Lambda Literary Award, and shortlisted for both the 2010 William Saroyan International Writing Prize and the VCU Cabell First Novelists Award. His second book of fiction, a linked story collection titled Let Me See It, was published in June 2014 by Northwestern University Press.
He is a four-time fellow of the MacDowell Colony and a five-time recipient of an Individual Artist Award from the Maryland State Arts Council. His writing has also been supported by Kenyon Playwrights Conference, the Virginia Center for the Creative Arts, the New Harmony Project, the Ucross Foundation, the Blue Mountain Center, the Jerome Foundation, and the 2010 Sewanee Writers’ Conference, where he was a Walter E. Dakin Fellow in Fiction. He holds degrees in French literature from Cornell and Yale and a DFA from the Yale School of Drama, where he taught translation and adaptation for many years. He currently teaches dramaturgy at Swarthmore College and fiction at the University of Baltimore.