German
Marion J. Faber, Professor Emerita
Faber, M., and S. Lehmann, Translators. 2010. The Tables of the law by T. Mann. Philadelphia: Paul Dry Books.
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Faber, M., Translator. 2007. Red and White: Conversations with Moritz Mebel. In The Carl Beck Papers for Russian and East European Studies, edited by R. Weinberg. Pittsburgh, PA: Center for Russian and East European Studies, University of Pittsburgh.
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Lehmann, S., and M. Faber. 2003. Rudolf Serkin: A Life. New York: Oxford University Press.
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Simon, S. 2000. Review of Angst und geschlechterdifferenzen: Ingeborg Bachmanns Todesarten-Projekt in kontexten der gegenwarts by C. Kanz. Colloquia germanica 33 (2): 208-209.
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Faber, M. 1998. Review of The Cambridge Companion to Nietzsche edited by B. Magnus and K.M. Higgins. Journal of English and Germanic Philology 97 (1): 85-86.
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Faber, M., Translator. 1998. "Beyond Good and Evil: Prelude to a Philosophy of the Future" by F. Nietzsche. M. Faber, ed. New York: Oxford University Press.
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Faber, M., and S. Lehmann, Translators. 1994. "Human, all too human: A Book for Free Spirits" by F. Nietzsche. London: Penguin Books.
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Faber, M., Translator. 1994. Mass Rape: The War against Women in Bosnia-Herzegovina. Lincoln, NE: University of Nebraska Press.
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Sunka Simon, Associate Professor
Simon, S. 2010. Irresistible Innocence: Reappropriations of Weimar and Nazi-Era Schlager. In Reworking the German Past: Adaptations in Film, the Arts, and Popular Culture, edited by S. Figge and J. Ward, 130-153. Columbia, SC: Camden House.
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Simon, S. 2008. Woman as Biocontrol: Rereading Donna Haraway through German Science Fiction. In Women in German Yearbook (Vol. 24). Lincoln, NE: University of Nebraska Press.
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Simon, S. 2007. Review of Tracing the Autobiographical edited by M. Kadar, L. Warley, J. Perreault, and S. Egan. International Fiction Review 34 : 202-204.
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Simon, S. 2007. Jelinek in Film and Script: Tales of Sound vs. Fury: "Malina" (1991). In Elfriede Jelinek: Writing Woman, Nation, and Identity: A Critical Anthology, edited by M. Lamb-Faffelberger and M. Konzett, 285-301. Madison, NJ: Fairleigh Dickinson University Press.
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Simon, S. 2004. Weimar Projections in Post-Unification Cinema . In Berlin: The Symphony Continues: Orchestrating Architectural, Social, and Artistic Changes in Germany's New Capital, edited by C.A. Costabile-Heming, R.J. Halverson, and K.A. Foell, 301-320. Berlin: de Gruyter.
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Simon, S. 2003. Review of German Studies in the Post-Holocaust Age: The Politics of Memory, Identity, and Ethnicity edited by A. del Caro and J. Ward. Colloquia germanica 35 (2): 276-277.
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Simon, S. 2002. Mail-Orders: The Fiction of Letters in Postmodern Culture. Albany, NY: SUNY Press.
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Simon, S. 2000. Der Vord're Orient: Colonialist Imagery in Popular Postwar German Schlager. Journal of Popular Culture 34 (3): 87-108.
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Simon, S. 2000. Epistolary Novel and Popular literature. In Encyclopedia of German Literature, edited by M. Konzett, 255-257, 792-794. Chicago, IL: Dearborn.
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Simon, S. 1998. Review of "An einen jungen Dichter": Studien zur epistolaren poeti by T. Nolden. German Studies Review 21 (2): 415-416.
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Simon, S. 1998. Expropriated Autobiographies: Playing for Time and Holocaust. Glossen (5).
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Simon, S. 1998. Out of Hollywood: Monika Treut's "Virgin Machine" and Percy Adlon's "Baghdad Cafe". In Queering the Canon: Defying Sights in German Literature and Culture, edited by C. Lorey and J. Plews, 414-433. Columbia, SC: Camden House.
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Hansjakob Werlen, Professor
Werlen, H. 2001. Review of Poetics of an Intercultural Nature: Haiti in the works of Kleist, Seghers, Muller, Buch, and Ficthe by H. Uerlings. Seminar 37 (3): 259-261.
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