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English



Nathalie Anderson, Professor


Anderson, N. 2004. Squeeze. North American Review 289 (2): 6.
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Anderson, N., Librettist, T. Whitman, Composer, and J. Freeman, Conductor. 2001. Sukey in the dark: Chamber opera in one act. World premiere performances at Lang Performing Arts Center, Swarthmore College, Swarthmore, PA. October 21-22.


Thomas H. Blackburn, Professor Emeritus


Blackburn, T. 2003. Lectures of Shakespeare. Shakespeare Quarterly 54 (1): 111-114.
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Blackburn, T. 2001. Review of Futureland by W. Mosley. Time Out 12 .
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Blackburn, T. 2001. Review of Milton and the death of man: Humanism on trial in Paradise Lost by H. Skulsky. Renaissance Quarterly 54 (3): 991-993.
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Blackburn, T. 2000. Teaching Romeo and Juliet with Troilus and Cressida and Antony and Cleopatra. In Approaches to teaching Shakespeare's Romeo and Juliet, edited by M. Hunt, 85-90. New York: Modern Language Association of America.
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Elizabeth Bolton, Professor


Bolton, B. 2006. Review of Staging governance: Theatrical imperialism in London, 1770-1800 by D. O'Quinn. Comparative Drama 40 (2): 248-251.
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Bolton, B. 2005. Imperial sensibilities, colonial ambivalence: Edmund Burke and Frances Burney. ELH 72 (4): 871-899.
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Bolton, B. 2001. Women, nationalism, and the romantic stage: Theatre and politics in Britain, 1780-1800. New York: Cambridge University Press.
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Bolton, B. 1998. Farce, romance, empire: Elizabeth Inchbald and colonial discourse. Eighteenth century theory and interpretation 39 (1): 3-24.
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Rachel Sagner Buurma, Assistant Professor


Buurma, R.S. 2008. Anonyma’s authors. Studies in English Literature 1500-1900 48 (4): 839-848.
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Buurma, R.S. 2008. Ephemeral forms: E. S. Dallas, novel reading, and the Victorian Review. English Language Notes 46 (1): 119-125.
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Edmund Campos, Assistant Professor


Campos, E. 2006. Review of Spanish studies in Shakespeare and his contemporaries edited by J.M. González. Shakespeare Quarterly 57 (4): 489-492.
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Campos, E. 2006. Review of Latin American Shakespeares edited by B.W. Kliman and R.J. Santos. Shakespeare Quarterly 57 (4): 489-492.
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Campos, E. 2002. Jews, Spaniards, and Portingales: Ambiguous identities of Portuguese Marranos in Elizabethan England. ELH - English Literary History 69 (3): 599-616.
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Anthony Foy, Assistant Professor


Foy, A. 2005. Review of The Two Princes of Calabar: An Eighteenth-Century Atlantic Odyssey by Randy J. Sparks. Biography: An Interdisciplinary Quarterly 28 (2): 302-305.
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Gregory Frost, Visiting Instructor


Frost, G. 2008. Lord Tophet. New York: Del Rey Books.
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Frost, G. 2008. Shadowbridge. New York: Del Rey Books.
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Frost, G. 2005. Attack of the Jazz Giants and other stories. Urbana, IL: Golden Gryphon Press.
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Frost, G. 2002. Fitcher's brides. New York: Tor.
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Jill Gladstein, Assistant Professor


Gladstein, J. 2008. Conducting research in the gray space: How writing associates negotiate between WAC and WID in an introductory biology course [Special issue on Writing Fellows]. Across the Disciplines 5.
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Gladstein, J. 2007. Quietly creating an identity for a writing center. In Marginal words, marginal work? Tutoring the academy in the work of writing centers, edited by W.J. Macauley, Jr. and N. Mauriello, 211-244. Cresskill, NJ: Hampton Press.
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Gladstein, J. 2001. Using critical questioning to investigate identity, culture, and difference. In Living and teaching in an unjust world, edited by W. Goodman, 183-194: Heinemann.
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Kendall Johnson, Associate Professor


Johnson, K. 2007. Henry James and the visual. New York: Cambridge University Press.
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Johnson, K. 2007. Peace, friendship, and financial panic: Reading the Mark of Black Hawk in Life of Ma-Ka-Tai-Me-She-Kia-Kiak. American Literary History 19 (4): 771-799.
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Johnson, K. 2006. Imagining self and community in Native American autobiography. In The Columbia guide to American Indian literatures of the United States since 1945, edited by E. Cheyfitz, 357-401. New York: Columbia University Press.
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Johnson, K. 2005. Review of The Expedience of culture: Uses of culture in the global era by G. Yudice and Individuality incorporate: Indians and the multicultural modern by J. Pfister. American Literature 77 (2): 432-434.
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Johnson, K. 2002. "Dark Spot" in the Picturesque: The Aesthetics of Polygenism and Henry James' A Landscape-Painter. American Literature 74 (1): 59-87.
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Johnson, K. 2002. "Rising from the stain on a painter's palette": George Catlin's picturesque and the legibility of Seminole removal. Nineteenth-Century Prose 29 (2): 69-93.
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Johnson, K. 2001. The Scarlet feather: Racial phantasmagoria in What Maisie knew. Henry James Review 22 (2): 128-146.
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Johnson, K. 2000. Melville and the postcolonial quandary. Review of The Sign of the cannibal: Melville and the making of a postcolonial reader by G. Sanborn. American Literature 72 (2): 423-424.
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Johnson, K. 1999. Haunting transcendence: The strategy of ghosts in Breton and Bataille. Twentieth-Century Literature 45 (3): 347-370.
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Nora Johnson, Associate Professor


Johnson, N. 2003 . The Actor as playwright in early modern drama. New York: Cambridge University Press.
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Johnson, N. 1998. Review of The Oxford Shakespeare edited by S. Orgel. Shakespeare Quarterly 49 (4): 432-434.
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Bakirathi Mani, Assistant Professor


Mani, B. and L. Varadarajan. 2008. ‘The largest gathering of the global Indian family’: Neoliberalism, nationalism, and diaspora at Pravasi Bharatiya Divas. Diaspora: A Journal of Transnational Studies 14 (1): 45-74.
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Mani, B. 2007. Queer Desis, straight films: Representations of South Asian Americans on and off-screen. The Subcontinental 3 (1): 1-12.
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Mani, B. 2006. Beauty queens: Gender, ethnicity, and transnational modernities at the Miss India USA pageant. Positions 14 (3): 717-747.
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Mani, B. 2005. Review of Asian diasporas: Cultures, identities, representations edited by R.B.H. Goh and S. Wong. Journal of Asian Studies 64 (4): 980-982.
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Mani, B. 2005. Review of The most beautiful girl in the world: Beauty pageants and national identity by S. Banet-Weiser. Feminist Review 81 (1): 132-134.
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Mani, B. 2004. Review of Imagine otherwise: On Asian Americanist critique by K. Chuh. Amerasia Journal 30 (3): 105-107.
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Mani, B. 2003. Amitav Ghosh (1956- ). In South Asian novelists in English: An A-to-Z guide, edited by J.C. Sanga, 78-82. Westport, CT: Greenwood Press.
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Mani, B. 2003. Undressing the diaspora. In South Asian women in the diaspora, edited by N. Puwar and P. Raghuram, 117-136. New York: Berg.
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Mani, B. 2001. Review of Constructing post-colonial India by S. Srivastava. Contemporary South Asia 10 (2): 151-155.
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Mani, B. 2001. Destination culture: A critical look at South Asian arts and activism festivals in North America. SAMAR: South Asian Magazine for Action and Reflection 14: 11-14.
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Mani, B. 2001. In charge of his own definitions: A conversation with Hanif Kureishi. Trikone 16 (3): 6-8.
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Mani, B. 1999. Singing a revolution: An encounter with Asian Dub Foundation. SAMAR: South Asian Magazine for Action and Reflection 11: 32-35.
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Mani, B. 1996. Moments of identity. In Contours of the heart: South Asians map North America, edited by S. Maira and R. Srikanth, 174-187. New York: Asian American Writers' Workshop.
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Harold Pagliaro, Professor Emeritus


Pagliaro, H. 2004. Relations between the sexes in the plays of George Bernard Shaw. Lewiston, NY: Edwin Mellen Press.
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Pagliaro, H. 2004 . Truncated love in Candida and Heartbreak House. SHAW: The Annual of Bernard Shaw Studies 24: 204-214.
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Pagliaro, H. 1998. Henry Fielding: A literary life. New York: St. Martin's Press.
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Pagliaro, H. 1996. Naked Heart: A Soldier's Journey to the Front. Kirksville, MO: Thomas Jefferson University Press.
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Pagliaro, H. 1989. Teaching Blake's Psychology of Redemption in Songs. In Approaches to Teaching Blakes 'Songs', edited by R.F. Gleckner and M.L. Greenberg, 120-126. New York: MLA.
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Pagliaro, H. 1988. More on the Romantic Character: New Tracks on Old Trails. Paper read at Eighteenth-Century Seminar on European Culture, December, at Columbia University, New York.
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Pagliaro, H. 1987. Selfhood and Redemption in Blakes's Songs. University Park, PA: Penn State University Press.
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Pagliaro, H. 1984. Francois VI, Duc de la Rochefoucauld (1613-1680). In European Writers: The Age of Reason and Enlightenment, edited by G. Stade, 51-71: Charles Scribner's Sons.
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Pagliaro, H. 1982. Blake's Pastoral World of Life and Death. Paper read at MLA Annual Meeting, Late Eighteenth-Century English Literature Division, December.
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Pagliaro, H. 1982. Paradigms of Response to Death in Blake and Some Predecessors. Paper read at Eighteenth-Century Seminar on European Culture, April, at Columbia University, New York.
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Pagliaro, H. 1981. Blake's Self-annihilation: Aspects of its Function in the Songs, with a Glance at its History. English 30 (137): 117-146.
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Pagliaro, H. 1976. Das Paradoxen bei La Rochefoucauld und einegen representativen englischen Nachfolgern. In Der Aphorismus, edited by G. Neumann, 305-350. Darmstadt, Germany: Wissenchaft Buchgesellschaft.
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1975. Studies in Eighteenth-Century Culture. H. Pagliaro, ed. Madison, WI: University of Wisconsin Press.
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1973. Studies in Eighteenth-Century Culture, Vol. 3: Racism in the Eighteenth Century. Cleveland, OH: Press of Case Western Reserve University.
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1972. Studies in Eighteenth-Century Culture, Vol. 2: Irrationalism in the eighteenth century. H. Pagliaro, ed. Cleveland , OH: Press of Case Western Reserve University.
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Pagliaro, H. 1972. The Affective Question. Bucknell Review 20 (Spring): 3-20.
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Pagliaro, H. 1971. Structural Patterns of Control in Rasselas. In English Writers of the Eighteenth Century, edited by J.H. Middendorf, 208-230. New York: Columbia University Press.
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Pagliaro, H. 1971. The Affective Question. Paper read at Midwest MLA Annual Meeting, Critical Theory Section, November.
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1969. Major English Writers of the Eighteenth Century. H. Pagliaro, ed. New York: Free Press.
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Pagliaro, H. 1964. Death and Transformation in English Romantic Poetry. Paper read at MLA Annual Meeting, English Romantic Period Division, December.
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Pagliaro, H. 1964. Paradox in the Aphorisms of La Rochefoucauld and some Representative English Followers. PMLA (March): 42-50.
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1963. The Journal of a Voyage to Lisbon. H. Pagliaro, ed. : Nardon Press.
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Peter J. Schmidt, Professor


Schmidt, P. 2005. Corra Harris' The Recording angel (1912): Why is one of the best comic novels between Huckleberry Finn and As I lay dying out of print?. Crossroads: A Southern Cultural Annual: 190-205.
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Schmidt, P. 2004. The Liberty weathervane points left. Review of The Futures of American studies edited by D.E. Pease and R. Wiegman. Mississippi Quarterly 57 (2): 313-327.
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Schmidt, P. 2004. Williams' lyric These: His deepest descent. In Rigor of beauty: Essays in commemoration of William Carlos Williams, edited by I. Copestake, 97-122. New York: Peter Lang.
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Schmidt, P. 2003. A New study of Eudora Welty's life and work. Review of One writer's imagination: The fiction of Eudora Welty by S. Marrs. Contemporary Literature 44 (2): 353-361.
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Schmidt, P. 2003. The Raftsmen's passage, Huck's crisis of whiteness, and Huckleberry Finn in U.S. literary history. Arizona Quarterly 59 (2): 35-58.
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Schmidt, P. 2003. Walter Scott, postcolonial theory, and new South literature. Mississippi Quarterly 56 (4): 545-554.
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Schmidt, P. 2002. Command performances: Black storytellers in Ruth McEnery Stuart's Blink (1893)and Charles W. Chesnutt's The Dumb witness (1899). Southern Literary Journal 35 (1): 70-96.
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Schmidt, P. 2002. Seven recent commentaries on Mark Twain. Studies in the Novel 34 (4): 448-464.
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2000. Postcolonial theory and the U.S.:Race, ethnicity, and literature. P. Schmidt and A. Singh, ed. Jackson, MS: University Press of Mississippi.
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Schmidt, P. 1999. Review of Race-Ing representation: Voice, history, and sexuality by K. Myrsiades and L. Myrsiades. College Literature 26 (2): 214-216.
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Philip M. Weinstein, Professor


Weinstein, P.M. 2009. Modernism. In The Oxford handbook of philosophy and literature, edited by R. Eldridge. New York: Oxford University Press.
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Weinstein, P.M. 2007. "Make it new": Faulkner and modernism. In A Companion to William Faulkner, edited by R. Moreland, 342-358. Malden, MA: Blackwell.
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Weinstein, P. 2005. The Land's turn. In Faulkner and the ecology of the South, edited by J.R. Urgo and A.J. Abadie, 15-29. Jackson, MS: University Press of Mississippi.
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Weinstein, P. 2005. Unknowing: The work of modernist fiction. Ithaca, NY: Cornell University Press.
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Weinstein, P.M. 2005. Unknowing: The work of modernist fiction. Ithaca, NY: Cornell University Press.
Cornell has nominated this book for the James Russell Lowell Prize, the Christian Gauss Prize, the Robert Motherwell Prize, the Modernist Studies Prize, and the Jacques Barzun Prize.
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Weinstein, P.M. 2004. Can't matter/must matter: Setting up the loom in Faulknerian and postcolonial fiction. In Look away!: The US South in New World studies, edited by D. Cohn and J. Smith, 355-382. Durham, NC: Duke University Press.
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Weinstein, P. 2002. Review of The Identifying fictions of Toni Morrison: Modernist authenticity and postmodern Blackness by J.N. Duvall. African American Review 36 (1): 154-166.
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Weinstein, P.M. 2002. Musing on invisibility: Faulkner, Wright, and Ellison. In Faulkner and postmodernism: Faulkner and Yoknapatawpha, 1999, edited by D. Kartiganer, 19-38. Jackson, MS: University Press of Mississippi.
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Weinstein, P.M. 2001. "No longer at ease here": Faulkner in the new millennium?. In Teaching Faulkner: Approaches and methods, edited by S. Hahn and R.W. Hamblin, 19-30. Westport, CT: Greenwood.
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Weinstein, P.M. 2000. "A Sight-draft dated yesterday": Faulkner's uninsured immortality. In Faulkner at 100: Retrospect and prospect: Faulkner and Yoknapawpha, 1997, edited by D. Kartiganer and A.J. Abadie, 45-52. Jackson, MS: University Press of Mississippi.
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Weinstein, P.M. 2000. "Premature, inconclusive and inconcludable": Faulkner and desire. In Etudes Faulknériennes II: Faulkner centenaire , edited by A. Bleikasten and N. Moulinoux, 83-90. Rennes, France: Presses Universitaires de Rennes.
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Weinstein, P.M. 1996. For Gerty had her dreams that no-one knew of. In Joyce in the Hibernian metropolis: Essays, edited by M. Beja and D. Norris, 115-121. Columbus, OH: Ohio State University Press.
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Weinstein, P.M. 1996. Mister: The drama of Black manhood in Faulkner and Morrison. In Faulkner and gender: Faulkner and Yoknapatawpha, 1994, edited by D. Kartiganer and A.J. Abadie, 272-296. Jackson, MS: University Press of Mississippi.
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Weinstein, P.M. 1996. Teaching The Sound and the Fury in the context of European modernism. In Approaches to teaching Faulkner's The Sound and the Fury, edited by S. Hahn and A.F. Kinney, 108-113. New York: MLA.
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Weinstein, P.M. 1996. What else but love? The Ordeal of race in Faulkner and Morrison. New York: Columbia University Press.
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1995. The Cambridge companion to William Faulkner. P.M. Weinstein, ed. New York: Cambridge University Press.
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Weinstein, P.M. 1992. "He come and spoke for me": Scripting Lucas Beauchamp's Three Lives. In Faulkner and the short story: Faulkner and Yoknapatawpha, 1990, edited by E. Harrington and A.J. Abadie, 229-252. Oxford, MS: University Press of Mississippi.
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Weinstein, P.M. 1992. A Round of visits: James in the company of come European peers. In A Companion to James studies, edited by D.M. Fogel, 235-264. Westport, CT: Greenwood.
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Weinstein, P.M. 1992. Faulkner's subject: A cosmos no one owns . New York: Cambridge University Press.
A chapter of this book is reprinted in: 1994. The sound and the fury: An authoritative text, backgrounds and contexts, criticism, edited by D. Minter.
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Weinstein, P.M. 1989. "Thinking I was I was not who was not was not who": The vertigo of Faulknerian identity . In Faulkner and the craft of fiction: Faulkner and Yoknapatawpha, 1987, edited by D. Fowler and A.J. Abadie, 172-193. Oxford, MS: University Press of Mississippi.
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Weinstein, P.M. 1984. The Semantics of desire: Changing models of identity from Dickens to Joyce. Princeton, NJ: Princeton University Press.
Nominated by Princeton University Press for the James Russell Lowell Prize.
Chapters from this book have been reprinted in: Bloom, H. 1998. The Major authors edition of the New Moulton's library of literary criticism: Victorian. New York: Chelsea House.
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Weinstein, P.M. 1978. Precarious sanctuaries: Protection and exposure in Faulkner's fictionStudies in American Fiction 6 (Autumn): 173-191.
Portions of this essay appear in: 1982. Twentieth-century interpretations of Faulkner's "Sanctuary": A collection of critical essays, edited by J. Douglas Canfield, 129-133. Englewood Cliffs, NJ: Prentice-Hall.
The entire essay has been reprinted in: 1995. Douze lectures de "Sanctuaire", edited by A. Bleikasten and N. Moulinoux, 67-82. Rennes, France: Presses universitaires de Rennes.
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Weinstein, P.M. 1971. An Interpretation of pastoral in The Winter's Tale. Shakespeare Quarterly 22 (2): 97-109.
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Weinstein, P.M. 1971. Henry James and the requirements of the imagination. Cambridge, MA: Harvard University Press.
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Weinstein, P.M. The Land's turn. In Faulkner and the ecology of the South: Faulkner and Yoknatawpha, 2003, edited by J.R. Urgo and A.J. Abadie, 15-29. Jackson, MS: University Press of Mississippi.
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