Dance
Kim D. Arrow, Associate ProfessorArrow, K. 2009. Quasimodo in the Outback. Dance videography screening. Attakkalari India Biennial Film Festival, Bangalore, India. Feb. 6-15. Arrow, K. 2009. Quasimodo in the Outback and ROOPER. Dance videography screening. Festival International de Vidéo Danse du Breuil, Burgundy, France. Mar. 14-21. Arrow, K. 2009. ROOPER. Dance videography screening. Sans Souci Festival of Dance Cinema, Boulder, CO, Mar. 20-21. Arrow, K., and T. Tucker. 2008. Interview and African Drumming performance for ABC (Australian Broadcast Corp.) Radio for promotion of the Cairns 2008 Envirofest, Cairns, Australia. Arrow, K. 2008. ROOPER. Dance Videography Screening. Shorts Blast Program at 6th Annual Festival of Dance Film/Videos, Drake Theater, Philadelphia, PA. June 19. Arrow, K. 2008. Swarthmore Taiko performance. 2nd Annual Cherry Blossom Festival sponsored by the Greater Reading Convention and Visitor's Bureau, at the Miller Center, Reading, PA. Arrow, K. 2008. Taiko (trio). Performance. Cherry Blossom Mayoral Press Conference, at the Fairmount Park Arboretum, Philadelphia. Arrow, Kim. 2007. Swarthmore Taiko. Performance. Villanova University, Villanova, PA. Arrow, Kim. 2007. Taiko (duet). Performance. 2007 Cherry Blossom Mayoral Press Conference, City Hall, Philadelphia. Arrow, Kim. 2007. Swarthmore Taiko. Performance. Morris Arboretum, Philadelphia. Arrow, K. 2007. Set Goshinji (a traditional 16th Century taiko composition) and ARMS (an original work) with TaikoDrum, Hobart, Tasmania, with additional performances with TaikoDrum for various venues in Tasmania. October-November. Arrow, K., Director. 2007. Swarthmore Taiko. Performed for Japan Day. The University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, PA. September. Arrow, Kim. 2006. Taiko performance and interview for WRTI: Temple University Public Radio's Crossover series
. Arrow, Kim. 2006. Performance. Japan Day. University of Pennsylvania, Museum of Anthropology and Archeology, Philadephia. Arrow, K. 2006. Mocean. Premiere dance performance with videographic projection. Faculty Dance Concert, Pearson-Hall Theatre, Swarthmore College, Swarthmore, PA. February 4. Arrow, K., Director. 2006. Swarthmore Taiko. Performed at the Colorado Rockies vs Philadelphia Phillies game. Citizens Bank Stadium, Philadelphia, PA. April 27. Arrow, Kim. 2006. Taiko Performance. City of Philadelphia Department of Commerce, International Trade and Diplomatic Commemoration Ceremony. Horticultural Center, Fairmount Park, Philadelphia. Arrow, Kim. 2006. Taiko performance. Longwood Gardens' Chrysanthemum Festival. Kennett Square, PA. Arrow, Kim. 2006. Taiko performance. Benefit concert for the Penn Presbyterian Hospital fundraising event, "An Evening in Tokyo". Performance. Produced by N-Squared Productions. University of the Arts, Philadephia. Arrow, Kim. 2006. TaikoDrum . Performance. ABC (Australia Broadcasting Corporation) and for their outreach program in schools (June and December). Arrow, Kim. 2006. TaikoDrum. Performance. Mayor John F. Street attending. Press conference for the Japan/America Society of Greater Philadelphia's 2006 Cherry Blossom Festival. City Hall, Philadelphia. Arrow, Kim. 2006. TaikoDrum. Performance. Phillies/Colorado Rockies game. Citizens Bank Stadium, Philadelphia. Arrow, Kim. 2005. Swarthmore Taiko Ensemble. Director. Composed a version of Yodan-uchi with permission
by Kyonari Tosha. Swarthmore Taiko performed throughout the Philadelphia area including Drexel and Villanova Universities, Bryn Mawr, Haverford, and Swarthmore Colleges, and the Arts and Business Council of Philadelphia at the Philadelphia Convention Center. Arrow, Kim. 2005. Japan Day, Japan America Society of Greater Philadelphia. Museum of Archaeology and Anthropology, University of Pennsylvania, Philadephia. Arrow, Kim. 2005. Illumination-Stargate: White Outfit Event. AJ Hackett Bungy Site, Cairns, AU. Arrow, Kim. 2004. Performed as Bellringer from Quasimodo in the Outback. Video Screening of Quasimodo in the Outback. Envirofiesta: Festival of Arts and the
Environment. Cairns, Australia. Arrow, Kim. 2003. Savsaat. November. Choreography. A work for 14 dancers and live drummers on African djembe and Japanese taiko and didgeridoo. Arranged by Tara Tucker. Performed by Kim Arrow. Tamagawa University, Tokyo. Arrow, Kim. 2002. Taiko performance. Swarthmore College fundraising event. Kimmel Center, Philadelphia. Arrow, Kim. 2002. Quasimodo in the Outback. Dance Concert. Temple University, Philadelphia. Arrow, Kim. 2001. Gamelan Semari Santi and Dance/Drumming Ensemble. Performance. Lang Performing Arts Center, Swarthmore, PA. Arrow, Kim. 2001. Quasimodo in the Outback. In progress. Performance. Philadelphia Fringe Festival, Philadephia. Arrow, Kim. 2000. Didgeridoo performance for a demo recording for Zakir Hussain. Moment Records, San Rafael, CA. Pallabi Chakrovotry, Assistant ProfessorChakravorty, P. 2008. Review of Performing Konarak, Performing Hirapur: Documenting the Odissi of Guru Surendrana Jena and Interpreting and (re)constructing Indonesian dance and music heritage by A. Lopez y Royo. Dance Research Journal 40 (1): 92-95. Find this resource Chakravorty, P. 2008. Bells of change: Kathak dance, women and modernity in India . Calcutta/London: Seagull Books/Macmillan. ISBN: 978-1-905422-48-7. Find this resource Chakravorty, P. 2008. Bharata Natyam mapped: Not subjectivity but subject position. Review of At home in the world: Bharata Natyam on the global stage by J. O'Shea. Dance Chronicle 31 (3): 471-475. Find this resource Chakravorty, P. 2006/07. Replaced Rituals. Performed at Community Education Center, Bryn Mawr College, Swarthmore College, Painted Bride Art Center. Chakravorty, P. 2006. Dancing into modernity: Multiple narratives of India's Kathak dance. Dance Research Journal 38 (1-2): 115-136. Find this resource Chakravorty, P. 2006. Stitching it together: A Report on the Live Tradition Festival. remappings: 21-22. Find this resource Chakravorty, P. 2006. The limits of orientalism: Classical Indian dance and the discourse of heritage. In Reorienting orientalism, edited by C. Niyogi, 89-101. New Delhi: Sage. ISBN 0761934472, 9780761934479. Find this resource Chakravorty, P. 2006. Unheard voices, global stage. Review of Guria, gossip, and globalization by A. Maciszewski. H-NET: Humanities and Social Sciences Online . Find this resource Chakravorty, P. 2005. Letter to the editor. Dance Research Journal 37 (1): 7-8. Find this resource Chakravorty, P. 2005. Modernity in Bhakti and Bhakti in modernity: Kabir and Kathak. Moving Worlds: A Journal of Transcultural Writings 5 (2). Find this resource Chakravorty, P. 2005. Union/Dissolution. Performed at Painted Bride Art Center, Swarthmore College, Bryn Mawr College, and as a guest artist at PS 122, New York, NY. Chakravorty, P. 2004. Dance, pleasure and Indian women as multisensorial subjects. Visual Anthropology 17 (1): 1-17. Find this resource Chakravorty, P. 2004. In search of a past...for their present. Pulse 8 (Summer): 20-22. Find this resource Chakravorty, P. 2004. Longing. Performed at Swarthmore College student dance concert. Chakravorty, P Editor. 2004. Proceedings of Dance in South Asia: New Approaches, Politics, and Aesthetics. Chakravorty, P, ed. Swarthmore, PA: Swarthmore College. Find this resource Chakravorty, P. 2003. In Search of Sound. Performed at St. Joseph\'s University, Swarthmore College, and Pragati Bengali Association of Philadelphia. Chakravorty, P. 2003. South Asian dance: Coming of age in U.S. universities. Pulse 4 (Winter): 14-15. Find this resource Chakravorty, P. 2002. Review of Runaway wives: Customary divorce and remarriage in Shivpuri District by M. Holden. Visual Anthropology Review 18 (1): 135-136. Find this resource Chakravorty, P. 2002. Dance in South Asia: New Approaches, Politics, and Aesthetics. Dance Research Journal 34 (2): 121-124. Find this resource Chakravorty, Pallabi. 2002. Kathak in Calcutta: A Story of Tradition and Change. Society of Dance History Scholars: Proceedings June 2002: 15-20. Find this resource Chakravorty, Pallabi. 2002. Symposium on South Asian Dance. Sruti August 2002: 33-35. Find this resource Chakravorty, P. 2002. The Mahatma is Fasting. Performed at the Philadelphia Museum of Art. Chakravorty, P. 2002. Threads: Story of a Sari from Labor to Market. Performed at Kumquat Theater, Philadelphia, University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia. Chakravorty, Pallabi. 2000. From interculturalism to historicism: Reflections on classical Indian dance. Dance Research Journal 32 (2): 108-119. Find this resource Chakravorty, P. 2000. Imagining Jamuna. Performed by the Courtyard Dancers, Bryn Mawr College; at Asian Arts Initiative; Women's Conference at Seton Hall University; Feminist Future Conference at Rutgers University.. Chakravorty, Pallabi. 1998. Hegemony, dance and nation: The construction of the classical dance in India. South Asia: Journal of South Asian Studies 21 (2): 107-120. Find this resource Sharon E. Friedler, ProfessorFriedler, Sharon E. 2005. Review of Anthropology and the dance: ten lectures by Drid Williams. Choice 42 (5): 864. Find this resource Friedler, Sharon E. 2005. Review of George Balanchine: the ballet maker by Robert Gottlieb. Choice 42 (9): 1600. Find this resource Friedler, Sharon E. 2005. Review of Butting Out: reading resistive choreographies through works by Jawole Willa Zollar and Chandralekha. Choice 42 (10): 1831. Find this resource Friedler, Sharon E. 2005. Bad Dancing Does Bad Dancing Does No Harm to Mother Earth. Paper read at Dance of Our Ancestors Festival, January 9-15, at Swarthmore College. Find this resource Friedler, Sharon E. 2004. Vocalise. Dance performance. A duet choreographed and perfomed with Jon Sherman to the accompaniment of Rachmaninoff 'Vocalise' for the Swarthmore College Faculty Dance Concert, Pearson-Hall Theatre. Friedler, Sharon E. 2003. Line of Control. Dance performance. A duet, choreographed and performed with Jon Sherman to a sound score compiled by Nick Kourtides for the Swarthmore College Faculty Dance Concert, Pearson-Hall Theatre. Friedler, Sharon E. 1998. Review of Marche Des Arts Du Spectacle Africain by Masa '97. Theatre Journal 50 (1): 108-110. Find this resource Friedler, S.E., and S.B. Glazer. 1997. Dancers talk about their issues in dance: The physical body, theory and practice and using the knowledge. In Dancing female: Lives and issues of women in contemporary dance, edited by S.E. Friedler and S.B. Glazer, 177-196. Amsterdam: Harwood Academic. Find this resource Friedler, S.E., and S.B. Glazer. 1997. Dancers talk about their lives in dance: Matriarchs, mentoring and passing on the heritage. In Dancing female: Lives and issues of women in contemporary dance, edited by S.E. Friedler and S.B. Glazer, 1-22. Amsterdam: Harwood Academic. Find this resource 1997. Dancing female: Lives and issues of women in contemporary dance. S.E. Friedler and S.B. Glazer, ed. Amsterdam: Harwood Academic. Find this resource Friedler, S.E. 1997. Fire and Ice: Female Archetypes in American Modern Dance. In Dancing female: Lives and issues of women in contemporary dance, edited by S.E. Friedler and S.B. Glazer, 107-122. Amsterdam: Harwood Academic. Find this resource Sally Hess, Professor EmeritaHess, S. and D.J. Napoli. 2008. Energy and symmetry in language and yoga. Leonardo 41 (4): 333-338. Find this resource Fishman, L. and E. Small. 2007. Yoga and multiple sclerosis: A journey to health and healing. New York: Demos Medical Publishing. S.E. Hess, featured photo model and adviser. Find this resource Hess, S.E. 2006. Choreography and performance: Plane Of regard. December. Premiere performance at Dixon Place, New York. Hess, S.E. 2006. Choreography and performance: Pour faire que les autres... May. The Second Annual Yogathon at the BKS Iyengar Yoga Institute, New York. Hess, S.E. 2005. Choregraphy and performance: The T tables. September. Text by S.E. Hess. Composed by J. Friedman. Performed with J. Alston, bass/baritone. Fishman, L. and C. Ardman. 2005. Relief is in the stretch: Yoga For back pain. New York: W.W. Norton. S.E. Hess, featured yoga photo model and consultant. Find this resource Hess, S.E. 2004. Choreography and performance: The Hag's manifesto. September. Joe's Pub, DancenOw Festival, New York. Hess, S.E. 2004. Choreography and solo performances: From the horse's mouth. February. The Doris Duke Theater and the 92nd Street Y, New York. Hess, S.E. 2003. Choreography and performance: The Hag's manifesto. Dixon Place, New York. Hess, S.E. 2003. Choreography and solo performance for D. Humphrey: From the horse's mouth. November. The Painted Bride, Philadelphia, PA. Hess, Sally. 2002. Assistant to Joan White, Intensive Iyengar Workshop, Omega Institute, Rhinebeck, NY. June-July. Hess, Sally. 2002. Rehearsal Director, Christopher Caines Dance Company, NYC. Hess, Sally. 2002. On Continuity. Essay and Solo for Barnard College. May 31. Hess, Sally. 2002. Tahitian Temper. Donna Uchizono, choreographer. Dance Company, Central Park Dance, NYC. Performance. July 4. Hess, Sally. 2002. Tree Love. Solo for Dancenow Festival, NYC. Choreography and performance. September 8. Hess, Sally. 2001. Performance: Arias/Excerpts with Christopher Caines, Faculty Dance Concert, Swarthmore College, Lang Performing Arts Center, April 7. Hess, Sally. 2001. Performance: Ad Honores. Dancenow Festival, Joyce SoHo Theater, New York City, September 8. Hess, Sally. 2001. Performance: Chamber Dances with Christopher Caines Dancers and Singers. The Construction Company, New York City, June 9-11. Hess, Sally. 2001. Performance: Dancing in the Streets with Christopher Caines Dancers and Singers. Brooklyn, NY, October 2-6. Hess, Sally. 2000. Guest Lecturer/Performer for Mindy Aloff's: Dance Criticism Class, Barnard College. March 8. Hess, Sally. 2000. Performance: Arias with Christopher Caines Dancers and Singers. The Construction Company, New York City, May 22-28. Hess, Sally. 2000. Assistant to Joan White, Iyengar Yoga Workshop. Omega Institute, Rhinebeck, NY, June 24-July 1. Hess, Sally. 2000. Performance:When the Body. Abbaye de Clairefontaine, Belgium, July 10. Hess, Sally. 2000. Performance: Deli Dances with Christopher Caines. 42nd Street, New York City, August 13. Hess, Sally. 2000. Performance. When the Body. Dancenow Downtown Festival, New York City, September 8. Hess, Sally. 2000. Peformance: Dark Drop with Christopher Caines Dancers and Singers. The Construction Company, New York City, November 11-13. Hess, Sally. 2000. . Guest Lecturer/Performer for Jill Sigman's Aesthetics class at Brooklyn College, March 10. Hess, Sally. 2000. Social Dances. With Jody Oberfelder Dance Company. Dixon Place, New York City. Performance. January 19-23. Hess, Sally. 2000. When the Body. Swarthmore College Faculty Concert, Lang Performing Arts Center. Performance. February 4. Hess, Sally. 1999. Assistant to Joan White, Iyengar Yoga Workshop. Omega Institute, Rhinebeck, New York. June 27 - July 4. Hess, Sally. 1999. Performance: Dancer/Mother in the first American presentation of the French playwright, Philippe Minyana's Roman Ruins. La Mama E.T.C., New York City, September 23 - October 3. Hess, Sally. 1999. Beside Still Waters. Faculty Concert, Swarthmore College, Lang Performing Art Center. Performance. April 8. Hess, Sally. 1999. Beside Still Waters. The Flea Theater, New York City. Performance. May 29. Hess, Sally. 1999. Dances at Wave Hill. In Donna Uchizono's trio: Sprinkler for Dancing In the Streets. Performance. July 13-14. Hess, Sally. 1999. Illuminations. With Omega Liturgical Dance Company, Riverside Church, New York City. Performance. November 11-14. Hess, Sally. 1999. Mimi Turner's Spring Fashion Show. New York City. Performance. May 15. Hess, Sally. 1999. Trust. Dancenow SoHo Arts Festival. Joyce SoHo Theater, New York City. Performance. September 16. Hess, S.E. 1997. A Lion in the laundromat. In Dancing female: Lives and issues of women in contemporary dance, edited by S.E. Friedler and S.B. Glazer, 251-262. Amsterdam: Harwood Academic. Find this resource Hess, S.E. 1996. Why I practice yoga. Movement Research Journal 13 (Fall): 2-3. Find this resource |