Swarthmore College

Libraries

Art History

Michael W. Cothren, Professor

Cothren, M.W. 2006. Picturing the Celestial City: The Medieval Stained Glass of Beauvais Cathedral. Princeton, NJ: Princeton University Press.
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Cothren, M.W. 2001. Le vitrage de la chapelle Saint-Vincent de la Cathédrale de Beauvais: Un chef-d'oeuvre méconnu de la peinture française vers la fin du XIIIe siècle. In 1300... l'art au temps de Philippe Le Bel, edited by D. Gaborit-Chopin and F. Avril, 119-135. Paris: École du Louvre.
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Cothren, M.W. 2001. Why did Louis de Roncherolles Commission a Stained-Glass Window for Beauvais in 1522?. Art Bulletin 83 (1): 7-31.
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Cothren, M.W. 1998. Fragments of an Early Thirteenth-Century St. Peter Window from the Cathedral of Rouen. Gesta 37 (2): 158-164.
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Cothren, M.W. 1998. Production Practices in Medieval Stained Glass Workshops: Some Evidence in the Glencairn Museum. Journal of Glass Studies 41: 117-134.
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Cothren, M.W. 1998. Remembrances of Jane Hayward. Gesta 37 (2): 130.
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Constance Cain Hungerford, Professor

Hungerford, C.C. 1999. Ernest Meissonier: Master in his Genre. New York: Cambridge University Press.
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T. Kaori Kitao, Professor Emerita

Kitao, T.K. 2002. Recording as Performance. Liner notes to Beethoven, Debussy, Rachmaninov by A. Grabois and J. Nauman. New York: Reflex Editions.
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Patricia L. Reilly, Associate Professor and Associate Provost

Reilly, P.L. 2010. Raphael's "Fire in the Borgo" and the Italian Pictorial Vernacular. Art Bulletin 92 (4): 308-325.
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Olson, R.J.M., P.L. Reilly, and R. Shepherd, Co-Editors. 2005. Preface. Renaissance Studies 19 (5): v.
Special issue entitled "The Biography of the Object in Late Medieval and Renaissance Italy".
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Reilly, P.L. 2004. Review of The Revival of the Olympian Gods in Renaissance Art by L. Freedman. Renaissance Quarterly 57 (4): 1385-1387.
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Reilly, P.L. 2004. Drawing the Line: Benvenuto Cellini on the Principles and Method of Learning the Art of Drawing and the Question of Amateur Drawing Education. In Benvenuto Cellini: Sculptor, Goldsmith, Writer, edited by M.A. Gallucci and P.L. Rossi, 26-52. New York: Cambridge University Press.
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Tomoko Sakomura, Associate Professor

Sakomura, T. 2011. Summoning the Thirty-Six Poets: A Look at a Poet-Portrait Screen. Impressions 32: 144-165.
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Sakomura, T. 2009. Negotiating Word and Image: The Case of Ôgi no sôshi. In New Horizons in Japanese Literary Studies: Canon Formation, Gender, and Media, edited by H. Shirane, E108-110. Tokyo: Benseisha.
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Sakomura, T. 2009. Unfolding Narratives: Visualising the Tales of Genji and Heike on the Folding Screen. In The Golden Journey: Japanese Art from Australian Collections, edited by J. Bennett and A. Newland, 78-89. Adelaide, Australia: Art Gallery of South Australia.
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Sakomura, T. 2009. Waka no kaiga-sei to mono-sei: Hâbâdo Enkyô Toshokan zô ‘Ôgishû’ o meguru ‘ôgi no sôshi’ ni tsuite no ichi shiron. In Kokusai shinpojiumu Nihon bungaku no sôzôbutsu: Shoseki, shahon, emaki, edited by J. Suzuki and M. McCormick, 57-66. Tokyo: Ningen Bunka Kenkyû Kikô, Kokubungaku Kenkyû Shiryôkan.
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