Art History
Michael W. Cothren, ProfessorCothren, M.W. 2006. Picturing the Celestial City: The medieval stained glass of Beauvais Cathedral. Princeton, NJ: Princeton University Press. Find this resource Cothren, M.W. 2001. Le Vitrage de la chapelle Saint-Vincent de la cathédrale de Beauvais: Un chef-d'oeuvre méconnu de la peinture française vers la fin du XIIIe siécle. In 1300... l'Art au temps de Philippe Le Bel, edited by D. Gaborit-Chopin and F. Avril, 119-135. Paris: Rencontres de l'École du Louvre. Find this resource Cothren, M.W. 2001. Why did Louis de Roncherolles commission a stained-glass window for Beauvais in 1522?. Art Bulletin 83 (1): 7-31. Find this resource Cothren, M.W. 1998. Fragments of an early thirteenth-century St. Peter window from the Cathedral of Rouen. Gesta 37 (2): 158-164. Find this resource Cothren, M.W. 1998. Production practices in medieval stained glass workshops: Some evidence in the Glencairn Museum. Journal of Glass Studies 41: 117-134. Find this resource Cothren, M.W. 1998. Remembrances of Jane Hayward. Gesta 37 (2): 130. Find this resource Constance Cain Hungerford, Professor and ProvostHungerford, C.C. 1999. Ernest Meissonier: Master in his genre. New York: Cambridge University Press. Find this resource T. Kaori Kitao, Professor EmeritaKitao, T.K. 2002. Recording as performance. Liner notes to the CD Beethoven, Debussy, Rachmaninov by Adam Grabois '84 (cello) and John Nauman (piano). New York: Reflex Editions. Find this resource Janine Mileaf, Assistant ProfessorMileaf, J. 2005. Inside out loud: Visualizing women's health in contemporary art. Saint Louis, MO: Mildred Lane Kemper Museum. Exhibition catalog. Find this resource Mileaf, J. 2004. Between you and me: Man Ray's Object to be Destroyed. Art Journal 63 (1): 4-23. Find this resource Mileaf, J. 2004. L'Art sec (Dry art). Cahiers du Musée National d'Art Moderne 88: 42-47. Find this resource Mileaf, J. 2004. Self examination. In Sarah McEaneaney, edited by I. Schaffner, 27. Philadelphia, PA: Institute of Contemporary Art. Exhibition catalog. Find this resource Mileaf, J. 2004. Smoking jacket and pumps. In Persistence and memory: New critical perpectives on Dalí at the centennial, 89-92. St. Petersburg, FL: The Salvador Dalí Museum and Bompiani. Find this resource Mileaf, J. 2003. Boxes, books, and the boîte-en-valise. In A Transatlantic Avant-Garde, 33-42. Giverny, France and Chicago: Musée d'Art Américain and the Terra Museum of American Art. Find this resource Mileaf, J. 2002. Review of Infinite regress by D. Joselit. Art Journal 61 (3): 101-103. Find this resource Mileaf, J. 2002. Proses for the camera: Eadweard Muybridge's studies of the human figure. American Art 16 (3): 30-53. Find this resource Mileaf, J. 2001. Body to politics: Surrealist exhibition of the tribal and the modern at the anti-imperialist exhibition and the Galerie Charles Ratton. RES Autumn (40): 239-255. Find this resource Patricia L. Reilly, Associate Professor2006. The Biography of the object in late medieval and Renaissance Italy. R.J.M. Olson, P.L. Reilly, and R. Shepherd, ed. Oxford: Blackwell. Find this resource Reilly, P.L., R.J.M. Olson, and R. Shepherd. 2005. Preface. Renaissance Studies 19 (5): v. Co-edited special issue entitled "The Biography of the object in late medieval and Renaissance Italy". Find this resource Reilly, P.L. 2004. Review of The Revival of the Olympian gods in Renaissance art by L. Freedman. Renaissance Quarterly 57 (4): 1385-1387. Find this resource Reilly, P.L. 2004. Drawing the line: Benvenuto Cellini on the principles and method of learning the art of drawing and the question of amateur drawing education. In Benvenuto Cellini: Sculptor, goldsmith, writer, edited by M.A. Gallucci and P.L. Rossi, 26-52. New York: Cambridge University Press. Find this resource |