Tomoko Sakomura, Associate Professor (Art History)
Book Chapter
Sakomura, T. 2009. Negotiating Word and Image: The Case of Ôgi no sôshi. In New Horizons in Japanese Literary Studies: Canon Formation, Gender, and Media, edited by H. Shirane, E108-110. Tokyo: Benseisha.
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Sakomura, T. 2009. Unfolding Narratives: Visualising the Tales of Genji and Heike on the Folding Screen. In The Golden Journey: Japanese Art from Australian Collections, edited by J. Bennett and A. Newland, 78-89. Adelaide, Australia: Art Gallery of South Australia.
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Sakomura, T. 2009. Waka no kaiga-sei to mono-sei: Hâbâdo Enkyô Toshokan zô ‘Ôgishû’ o meguru ‘ôgi no sôshi’ ni tsuite no ichi shiron. In Kokusai shinpojiumu Nihon bungaku no sôzôbutsu: Shoseki, shahon, emaki, edited by J. Suzuki and M. McCormick, 57-66. Tokyo: Ningen Bunka Kenkyû Kikô, Kokubungaku Kenkyû Shiryôkan.
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Sakomura, T. 2004. Japanese Games of Memory, Matching, and Identification. In Asian Games: The Art of Contest, edited by C. Mackenzie and I. Finkel, 253-271. New York: Asia Society.
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Journal
Sakomura, T. 2011. Summoning the Thirty-Six Poets: A Look at a Poet-Portrait Screen. Impressions 32: 144-165.
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Sakomura, T. 2003. E/moji: Ôgi no sôshi wo meguru ichikôsatsu. Monogatari kenkyû 3: 162-168.
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Sakomura, T. 2003. Keiô Gijuku Toshokan zô ‘Fuseya no monogatari’ kaidai honkoku. Koten shiryô kenkyû 7: 37-50.
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Sakomura, T. 2003. Keiô gijuku toshokan zô kansu bon "Shijūni no monoarasoi" kaidai honkoku. Koten shiryô kenkyû 8: 37-42.
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