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Pallabi Chakrovotry , Assistant Professor (Dance)



Chakravorty, P. 2002. Threads: Story of a Sari from Labor to Market. Performed at Kumquat Theater, Philadelphia, University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia.


Book


Chakravorty, P. 2008. Bells of change: Kathak dance, women and modernity in India . Calcutta/London: Seagull Books/Macmillan.
ISBN: 978-1-905422-48-7.
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Book Chapter


Chakravorty, P. 2006. The limits of orientalism: Classical Indian dance and the discourse of heritage. In Reorienting orientalism, edited by C. Niyogi, 89-101. New Delhi: Sage.
ISBN 0761934472, 9780761934479.
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Book Review


Chakravorty, P. 2008. Review of Performing Konarak, Performing Hirapur: Documenting the Odissi of Guru Surendrana Jena and Interpreting and (re)constructing Indonesian dance and music heritage by A. Lopez y Royo. Dance Research Journal 40 (1): 92-95.
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Chakravorty, P. 2008. Bharata Natyam mapped: Not subjectivity but subject position. Review of At home in the world: Bharata Natyam on the global stage by J. O'Shea. Dance Chronicle 31 (3): 471-475.
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Chakravorty, P. 2006. Unheard voices, global stage. Review of Guria, gossip, and globalization by A. Maciszewski. H-NET: Humanities and Social Sciences Online .
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Chakravorty, P. 2002. Review of Runaway wives: Customary divorce and remarriage in Shivpuri District by M. Holden. Visual Anthropology Review 18 (1): 135-136.
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Edited Book


Chakravorty, P Editor. 2004. Proceedings of Dance in South Asia: New Approaches, Politics, and Aesthetics. Chakravorty, P, ed. Swarthmore, PA: Swarthmore College.
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Journal


Chakravorty, P. 2006. Dancing into modernity: Multiple narratives of India's Kathak dance. Dance Research Journal 38 (1-2): 115-136.
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Chakravorty, P. 2006. Stitching it together: A Report on the Live Tradition Festival. remappings: 21-22.
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Chakravorty, P. 2005. Letter to the editor. Dance Research Journal 37 (1): 7-8.
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Chakravorty, P. 2005. Modernity in Bhakti and Bhakti in modernity: Kabir and Kathak. Moving Worlds: A Journal of Transcultural Writings 5 (2).
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Chakravorty, P. 2004. Dance, pleasure and Indian women as multisensorial subjects. Visual Anthropology 17 (1): 1-17.
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Chakravorty, P. 2004. In search of a past...for their present. Pulse 8 (Summer): 20-22.
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Chakravorty, P. 2003. South Asian dance: Coming of age in U.S. universities. Pulse 4 (Winter): 14-15.
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Chakravorty, P. 2002. Dance in South Asia: New Approaches, Politics, and Aesthetics. Dance Research Journal 34 (2): 121-124.
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Chakravorty, Pallabi. 2002. Kathak in Calcutta: A Story of Tradition and Change. Society of Dance History Scholars: Proceedings June 2002: 15-20.
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Chakravorty, Pallabi. 2002. Symposium on South Asian Dance. Sruti August 2002: 33-35.
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Chakravorty, Pallabi. 2000. From interculturalism to historicism: Reflections on classical Indian dance. Dance Research Journal 32 (2): 108-119.
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Chakravorty, Pallabi. 1998. Hegemony, dance and nation: The construction of the classical dance in India. South Asia: Journal of South Asian Studies 21 (2): 107-120.
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Other


Chakravorty, P. 2006/07. Replaced Rituals. Performed at Community Education Center, Bryn Mawr College, Swarthmore College, Painted Bride Art Center.

Chakravorty, P. 2005. Union/Dissolution. Performed at Painted Bride Art Center, Swarthmore College, Bryn Mawr College, and as a guest artist at PS 122, New York, NY.

Chakravorty, P. 2004. Longing. Performed at Swarthmore College student dance concert.

Chakravorty, P. 2003. In Search of Sound. Performed at St. Joseph\'s University, Swarthmore College, and Pragati Bengali Association of Philadelphia.

Chakravorty, P. 2002. The Mahatma is Fasting. Performed at the Philadelphia Museum of Art.

Chakravorty, P. 2000. Imagining Jamuna. Performed by the Courtyard Dancers, Bryn Mawr College; at Asian Arts Initiative; Women's Conference at Seton Hall University; Feminist Future Conference at Rutgers University..

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