Libraries

Book

Chakravorty, P. 2008. Bells of Change: Kathak Dance, Women and Modernity in India . New York: Seagull.
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Book Chapter

Chakravorty, P. 2011. Global Dancing In Kolkata. In A Companion to the Anthropology of India, edited by I. Clark-Decès. Malden, MA: Wiley-Blackwell.
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Chakravorty, P. 2010. From Interculturalism to Historicism: Reflections on Classical Indian Dance. In Routledge Dance Studies Reader, edited by A. Carter and J. O'Shea. 2nd ed. New York: Routledge.
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Chakravorty, P. 2010. Remixed Practice: Bollywood Dance and the Global Indian. In Dance Matters: Performing India, edited by P. Chakravorty and N. Gupta, 169-183. New York: Routledge.
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Chakravorty, P. 2006. The Limits of Orientalism: Classical Indian Dance and the Discourse of Heritage. In Reorienting Orientalism, edited by C. Niyogi, 89-101. Thousand Oaks, CA: Sage.
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Review

Chakravorty, P. 2010. Joyous Nrityagram. Review of performance by The Nrityagram Dance Ensemble for narthaki.com Narthaki .
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Chakravorty, P. 2008. Review of Performing Konarak, Performing Hirapur: Documenting the Odissi of Guru Surendrana Jena and Interpreting and (Re)Constructing Indonesian Dance and Music Heritage by A. Lopez y Royo. Dance Research Journal 40 (1): 92-95.
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Chakravorty, P. 2008. Bharata Natyam Mapped: Not Subjectivity but Subject Position. Review of At Home in the World: Bharata Natyam on the Global Stage by J. O'Shea. Dance Chronicle 31 (3): 471-475.
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Chakravorty, P. 2006. Unheard Voices, Global Stage. Review of Guria, Gossip, and Globalization by A. Maciszewski. H-Gender-MidEast .
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Chakravorty, P. 2002. Review of Runaway Wives: Customary Divorce and Remarriage in Shivpuri District by M. Holden. Visual Anthropology Review 18 (1): 135-136.
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Conference

Chakravorty, P. 2004. Agency in Tradition: Gendered Subjectivity through the Practice of Kathak. Presentation at Dance in South Asia: New Approaches, Politics, and Aesthetics, at Swarthmore College Cooper Foundation, Swarthmore, PA.
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Edited Book

2010. Dance Matters: Performing India. P. Chakravorty and N. Gupta, ed. New York: Routledge.
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2009. Performing Ecstasy: The Poetics and Politics of Religion in South Asia. P. Chakravorty and S. Kugle, ed. New Delhi: Manohar.
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Journal

Chakravorty, P. 2009. Moved to Dance: Bhakti, Commodity, and a New India. Visual Anthropology 22 (2): 211-222.
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Chakravorty, P. 2006. Dancing into Modernity: Multiple Narratives of India's Kathak Dance. Dance Research Journal 38 (1/2): 115-136.
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Chakravorty, P. 2006. Stitching It Together: A Report on the Live Tradition Festival. Remappings: 21-22.
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Chakravorty, P. 2005. Letter to the Editor. Dance Research Journal 37 (1): 7-8.
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Chakravorty, P. 2005. Modernity in Bhakti and Bhakti in Modernity: Kabir and Kathak. Moving Worlds 5 (2).
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Chakravorty, P., Editor. 2004. Proceedings of Dance in South Asia: New Approaches, Politics, and Aesthetics.
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Chakravorty, P. 2004. Dance, Pleasure and Indian Women as Multisensorial Subjects. Visual Anthropology 17 (1): 1-17.
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Chakravorty, P. 2004. In Search of a Past... for their Present. Pulse 8 (Summer): 20-22.
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Chakravorty, P. 2003. South Asian Dance: Coming of Age in U.S. Universities. Pulse 4 (Winter): 14-15.
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Chakravorty, P. 2002. Dance in South Asia: New Approaches, Politics, and Aesthetics. Dance Research Journal 34 (2): 121-124.
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Chakravorty, P. 2002. Kathak in Calcutta: A Story of Tradition and Change. Proceedings of the Society of Dance History Scholars: 15-20.
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Chakravorty, P. 2002. Symposium on South Asian Dance. Sruti (August): 33-35.
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Chakravorty, P. 2000. From Interculturalism to Historicism: Reflections on Classical Indian Dance. Dance Research Journal 32 (2): 108-119.
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Chakravorty, P. 1998. Hegemony, Dance and Nation: The Construction of the Classical Dance in India. South Asia 21 (2): 107-120.
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Performance

Chakravorty, P. 2006-2007. Replaced Rituals. Performed at Community Education Center; Bryn Mawr College, Bryn Mawr, PA; Swarthmore College, Swarthmore, PA; and the Painted Bride Art Center, Philadelphia.
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Chakravorty, P. 2005. Union/Dissolution. Performed at Painted Bride Art Center, Philadelphia; Swarthmore College, Swarthmore, PA; Bryn Mawr College, Bryn Mawr, PA; and as a guest artist at PS 122, New York.
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Chakravorty, P. 2004. Longing. Performed at Student Dance Concert, Swarthmore College, Swarthmore, PA.
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Chakravorty, P. 2003. In Search of Sound. Performed at St. Joseph's University, Philadelphia; Swarthmore College, Swarthmore, PA; and Pragati Bengali Association, Philadelphia.
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Chakravorty, P. 2002. The Mahatma is Fasting. Performed at Philadelphia Museum of Art, Philadelphia.
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Chakravorty, P. 2002. Threads: Story of a Sari from Labor to Market. Performed at Kumquat Theatre, Philadelphia, for the Glue Performance Series, and University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia.
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Chakravorty, P. 2000. Imagining Jamuna, with the Courtyard Dancers of Bryn Mawr College, Bryn Mawr, PA. Performed at Asian Arts Initiative, Philadelphia; Women's Conference at Seton Hall University, South Orange, NJ; and Feminist Future Conference at Rutgers University, Camden, NJ.
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