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When Pynchons poor deejay
Mucho Maas
begins to lose it, late
in the novel,
he imagines a chorus
of voices
all intoning rich chocolat-
y goodness
over and over over midnite
radio. He
finds a curious fate
and comfort there.
Now ads pushing
chocolate
seem rare--here, at any rate.
Instead, weve
got hyperactive Ginzu knives.
But making
border crossings into deepest
and quaintest
suburbia are Italias own
concoctions--
connoli, tiramisu, latte--
far beyond
Hersheys poor, pale, and (if I
may say so)
Anglo excuses for a just
dessert. So
eat and drink and all attest:
with life,
as with dessert, all the best
is bittersweet.
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