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The Department of Music and Dance provides studio space
to a number of outstanding performers. These artists offer
weekly lessons to Swarthmore students, most of whom receive
subsidies of up to 100% from the Department to cover the
cost of lessons. Swarthmore students can receive one half of
a course credit per semester for taking private lessons.
Here are a few of the artists who teach on campus:
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Piano:
Marcantonio Barone
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Born in 1962, American pianist Marcantonio Barone made his
debut at the age of ten at a Philadelphia Orchestra
children's concert. He returned in 1990 as soloist with the
Orchestra's subscription series under the direction of
William Smith. He has also performed as soloist with the St.
Louis Symphony, Houston Symphony, Moscow Symphony Orchestra,
and Birmingham Symphony Orchestra, among others. He has
collaborated with such eminent conductors as Sir Simon
Rattle, Leon Fleisher, Arther Fiedler, and Barry Tuckwell.
His recital engagements in America and abroad have included
Carnegie Hall's Weill Recital Hall, Wigmore Hall, the
Metropolitan Musuem, and the National Gallery.
A prize winner at both the 1985 Busoni and 1987 Leeds
Competitions, Mr. Barone also won the 1996-7 Musical Fund
Society Award. He performs chamber music frequently with the
Lenape Chamber Ensemble, 1807 and Friends, Orchestra 2001,
and many other groups. An active champion of New Music, he
has given the world premiere performances of works by
several distinguished composers, including George Rochberg,
David Finko, and Gerald Levinson. In addition to his duties
at Swarthmore, Mr. Barone is also on the faculty of the Bryn
Mawr Conservatory, where he is head of the piano
department.
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Piano:
Laurie Ticehurst Poole
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Laurie Ticehurst Poole, pianist and accompanist, graduated
with honors from the University of Colorado with a B.Mus.
and M. Mus. in piano performance. She continued her studies
in the doctoral program at Peabody Conservatory with Leon
Fleisher. She interrupted her doctoral studies to accept an
assistant professorship in the music department at Iowa
State University. There she expanded the piano department
course offerings, initiated a weekly performance program,
and toured the mid-western states with the Amati Trio.
Prizes include the Paderewski Performance Award, the San
Francisco Symphony Young Artist Award, and first place in
the National Federation of Music Clubs Competition. She was
pianist and artistic coordinator on the series BALLET IN
COLOR (a synthesis of piano and electronic orchestration)
for Educator Records. She is also teaches at the Bryn Mawr
Conservatory and at Westtown School.
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Violin:
Barbara Sonies
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Violinist Barbara Sonies has degrees from the Eastman
School of Music and Julliard. Teachers have included Ivan
Galamian, Paul Makanowitsky, Franco Gulli, and others. She
has received various awards and made numerous solo
appearances with the Eastman-Rochester Orchestra, Chicago
Symphony, Grant Park Symphony (Chicago), and others. Ms.
Sonies has been a member of the Rochester Philharmonic,
American Symphony, 20th Century Consort, and the Penn
Contemporary Players, in addition to being a founding member
of The Philadelphia Trio. With the Trio she has presented
concerts and workshops in Europe and the U.S. and has done
recordings as well as radio and television broadcasts. In
addition to her work with the Trio she is currently
concertmaster of the Opera Company of Philadelphia and the
Mozart Society of Philadelphia. She is on the faculty of
Temple University and is co-director of Music in the
Mountains, a chamber music camp for high school and
college-age students in Eagles Mere, Pennsylvania.
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French Horn:
Michael Johns
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BM in Horn Performance from New England Conservatory. MM in
Music History from Temple University. DMA in Horn
Performance from Temple University. Director of Brass
Ensembles at Temple University, Conductor of the Wind
Ensemble at Swarthmore, member of the horn section of the
Opera Company of Philadelphia, Pennsylvania Ballet, and
Philly Pops.
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Voice:
Julian Rodescu
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In the 1999-2000 season, Julian Rodescu earned raves for
his debuts in Madrid, Naples, Los Angeles, and Tel Aviv.
"Julian Rodescu proved a perfect singer," wrote the Los
Angeles Times of his singing with Simon Rattle and the
Los Angeles Philharmonic. Of his Madrid debut in
Shostakovich's Lady Macbeth of Mzensk with Mstislav
Rostropovich, El Pais wrote "Special mention must be
made of the basso profundo of Julian Rodescu, memorable as
the High Priest, capturing tragic and comic at the same
time, impreccable, beyond reproach." Mr. Rodescu made his La
Scala debut in 1991 as Titurel in Parsifal, with Riccardo
Muti conducting. In 1997 he sang Fafner in Siegfried also
with Maestro Muti. Vienna's Die Presse wrote: "In
Julian Rodescu we meet a profound Fafner, exemplary in each
German word." Among important orchestra appearances, Mr.
Rodescu has performed with Wolfgang Sawallisch and the
Philadelphia Orchestra as well as Seiji Ozawa and the Boston
Symphony. He has also performed Mozart's Magic Flute,
Verdi's Rigoletto and Aida, Bellini's Norma and I Puritani,
Monteverdi's Orfeo, Berg's Lulu, Beethoven's Missa Solemnis,
and Mozart's Requiem.
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Vocal Coach:
Deborah Scurto-Davis
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Pianist and coach Debra Scurto-Davis is a native of
Newfoundland, Canada. Her educational credits include a
Bachelor of Music Education from Evangel College and a
Masters degree in piano performance from Baylor University.
Mrs. Scurto-Davis studied with Martin Katz at the University
of Michigan, receiving a Specialist Degree in vocal coaching
and accompanying. From 1992 until 1994 she served as a staff
pianist for the University of Michigan Opera Theatre
productions as well as the music director of the Opera
Workshop. She has worked as coach and rehearsal pianist for
the Des Moines Metro Opera and Sylvan Opera. In addition to
her work at Swarthmore, she is also currrently a vocal coach
at Temple University.
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Updated fall 2002
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